that isn't writing - it's typing
Andrew Gallix on the virtues of writing slowly:
In Plato's famous dialogue, Socrates argues that the eponymous Ion and his fellow rhapsodes (the slam artists of Ancient Greece) are possessed by the gods whenever they tread the boards. According to this tradition, the artist, in the throes of creation, is under the influence -- be it of the Muses, drugs, alcohol, a dream vision or some other variant of divine inspiration. Ionic Man does not speak: he is spoken through (or played upon like Coleridge's Aeolian harp), hence the cult of "spontaneous prose" in its various guises. The work of art comes as easily as leaves to a tree, appearing fully-formed in a blinding flash of inspiration or in an accretive, free-associative manner as if under dictation. In both cases, logorrhoea beckons.
The Surrealists' experiments with automatic writing belong to this school. So do the numerous penis-extension tall tales of binge typing. A driven Kerouac composed On the Road in a three-week, benzedrine-fuelled session after fashioning a scroll manuscript which allowed the all-important free flow of words to go unimpeded. Capote's famous quip - "That isn't writing; it's typing" - unwittingly captured the histrionic quality of Kerouac's feat. This is action writing that transforms a sedate, sedentary, haemorrhoid-inducing activity into a heroic performance.
Another prime instance of Ionic braggadocio is the legend according to which Georges Simenon once locked himself in a glass cage to toss off a novel in three days and three nights while spectators gawked. This planned publicity stunt never actually occurred, but it may well have inspired Will Self who, back in 2000, wrote a novella in a London art gallery during a two-week residency: the words were projected live on to a plasma screen behind the desk where he sat. These experiments, and others like National Novel Writing Month, are all interesting enough, but perhaps the time has come to ditch literary hothousing in favour of the Platonics' "precious little" aesthetics.
